A blog of all section with no images
Aaron Siegel
Aaron's infatuation with technology began at age twelve when he was introduced to the Internet, Photoshop, and HTML. He soon found a source of creative outlet in technology and computing that couldn't be achieved in any other medium. As time went on, his adeptness in programming and design grew, and it led him to the Cadre Laboratory for New Media where he is pursuing his BFA. His current interests include urban art, physical computing, and organic information design.

Website: www.datadreamer.com

Interview with Joel Slayton

Why the “Pacific Rim”?  And other questions answered by ISEA 2006/ ZeroOne Festival Chair, Joel Slayton 


Q. Why “Pacific Rim”?
A.
The political and economic space of the Pacific Rim represents a dynamic context for artistic and cultural experimentation. San Jose and Silicon Valley represent and important portal to the Pacific Rim with deep historical, cultural and economic ties. The Pacific Rim theme highlights the connections and connnectedness of cultures and countries rimming the Pacific Ocean. We believe that an international arts symposium and festival program need to take account of the discourses regarding diversity, identity and place associated with the regions and their networks.

Q. Arguably “Pacific Rim” is the most vague of the four themes for ISEA 2006; do you hope any specifics will be achieved throughout the events?
A.
The Pacific Rim New Media Summit, a pre-event of ISEA2006, was specifically designed to enable international collaborations. Seven 'working groups' have been instantiated that are focusing on a creative or cultural initiative, a research project, or policy assessment. For example, a Distributed Curatorial project called 'Container Culture' in which new media art works from Pacific Rim port cities are integrated into shipping containers which will arrive in San Jose for the Festival and be put on display in a temporary exhibition. There are projects on education, the environment mobility and urbanity, piracy, residencies/organizations and alternatives to conventional models of new media art practice as it relates to communities and place. The ISEA2006 Symposium will feature an extended discourse on specialized topics through paper presentations and posters and there has been a special call for participation for artworks in this category. we envision the ISEA2006/ZeroOne San Jose as an opportunity to become more integrated with activities throughout the Pacific region and to use the context of San Jose and Silicon Valley as a catalyst for the building of interpretive bridges and new transaction spaces.

Q. Some might say that the term or theme “Pacific Rim” is inherently problematic, do you agree?
A.
Yes. Pacific Rim is really a reference to the political and economic space that includes many distinct countries, regions, socioeconomic frameworks, and political identities. It is not a singularity in terms of a cultural space of interactions. It is however a term that begs a tremendous number of questions in terms of post-colonial assessments and characterizations. The term was selected because it provides a platform from which the rich complexity and dynamic realities of inter- regional relations can be discussed and debated. An important objective of the Summit is to examine and create new transaction spaces for creativity and innovation.

Q. What are you most looking forward to about the Pacific Rim New Media Summit?
A.
Meeting everyone and seeing what can happen when we try to focus on outcomes.

 

The Pacific Rim New Media Summit takes place August 6-8, 2006.
http://isea2006.sjsu.edu/prnms.html

The Pacific Rim New Media Summit


The CADRE Laboratory for New Media at San Jose State University will host a two-day pre-symposium to ISEA 2006 entitled the Pacific Rim New Media Summit co-sponsored by Leonardo. The Summit is intended to explore and build interpretive bridges between institutional, corporate, social and cultural enterprises with an emphasis on the emergence of new media arts programs.

The complex relations and diversity of Pacific Rim nations is exemplified throughout the hybridized communities that comprise the Silicon Valley. As the 10th largest city in the United States, San Jose is an important portal on the Eastern edge of the Pacific region, which shares deep historical and cultural connections that range from Latin America, the South Pacific, Southeast Asia to Asia. ZeroOne San Jose: An International Festival of Art on the Edge highlights the Pacific Rim as a central theme by presenting the most significant achievements in art, theory and research from throughout the region.

An important objective of the Summit is to examine and create new transaction spaces for creativity and innovation. With a purview encompassing all states and nations that border the Pacific Ocean, this trans-disciplinary event will address the developmental role and capacity of new media arts initiatives to foster greater mutual understanding.  Summit objectives include exploration of innovative models for cooperation among institutions, development of interaction strategies with technology corporations, investigation of radical responses to emergent cultural issues and conditions, engagement with Diaspora communities, and the establishment of an on-going Pacific Rim Network of New Media Educational Institutions.

The Pacific Rim New Media Summit has divided itself into eight working groups.  Each group is preparing specific concerns and motives for investigation and will come to the summit with objectives and outcomes to present.  The working groups include:  Distributed Curatorial, Education, Place Ground & Practice, Urbanity & Locative Media, Latin American-Pacific / Asia New Media Initiatives, Residencies/ Symposia/ Directory Project, Piracy & the Pacific, and The Indivisible Dynamics of the Pacific Rim & Bay Area.  Participants of the Pacific Rim New Media Summit will report their activities and conclusions at the ZeroOne/ ISEA 2006 Symposium as they are interwoven with the other themes of the overall symposium.

Why the “Pacific Rim”? And other questions answered by ISEA 2006/ ZeroOne Festival Chair, Joel Slayton.

The Pacific Rim New Media Summit takes place August 6-8, 2006.  
http://isea2006.sjsu.edu/prnms.html

The ZeroOne/ ISEA 2006 Symposia takes place August 9-13, 2006 in San Jose, California.
http://isea2006.sjsu.edu/

Vera Fainshtein

Vera Fainshtein is a contemporary Californian artist who incorporates digital video, sound and theatrical stage-like sets to produce environments that purposely blur the boundary between art and life. Her work is a good example of “lifelike” art, i.e. art that is connected to life and is at the service of life.

Her installations are preoccupied with and even dazzled by the space of the everyday existence. Her materials are common objects: old wallpaper, a rotary phone, taste of red wine, an arm holding an umbrella, sounds of rain... Encouraging the viewers to use their senses, the artist’s ambition is to recreate a feeling of lived, felt space, a sensuous space, subjectively and bodily perceived.
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