Aaron's infatuation with technology began at age twelve when he was
introduced to the Internet, Photoshop, and HTML. He soon found a source
of creative outlet in technology and computing that couldn't be
achieved in any other medium. As time went on, his adeptness in
programming and design grew, and it led him to the Cadre Laboratory for
New Media where he is pursuing his BFA. His current interests include
urban art, physical computing, and organic information design.
Website: www.datadreamer.com
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Interview with Joel Slayton |
Why the “Pacific Rim”? And other questions answered by
ISEA 2006/ ZeroOne Festival Chair, Joel Slayton
Q. Why “Pacific Rim”?
A. The political and economic space of the Pacific Rim represents a
dynamic context for artistic and cultural experimentation. San Jose and Silicon
Valley represent and important portal to the Pacific Rim with deep historical,
cultural and economic ties. The Pacific Rim theme highlights the connections
and connnectedness of cultures and countries rimming the Pacific Ocean. We believe
that an international arts symposium and festival program need to take account
of the discourses regarding diversity, identity and place associated with the
regions and their networks.
Q. Arguably “Pacific Rim” is the most vague of the four
themes for ISEA 2006; do you hope any specifics will be achieved throughout
the events?
A. The Pacific Rim New Media Summit, a pre-event of ISEA2006, was specifically
designed to enable international collaborations. Seven 'working groups' have
been instantiated that are focusing on a creative or cultural initiative, a
research project, or policy assessment. For example, a Distributed Curatorial
project called 'Container Culture' in which new media art works from Pacific
Rim port cities are integrated into shipping containers which will arrive in
San Jose for the Festival and be put on display in a temporary exhibition. There
are projects on education, the environment mobility and urbanity, piracy, residencies/organizations
and alternatives to conventional models of new media art practice as it relates
to communities and place. The ISEA2006 Symposium will feature an extended discourse
on specialized topics through paper presentations and posters and there has
been a special call for participation for artworks in this category. we envision
the ISEA2006/ZeroOne San Jose as an opportunity to become more integrated with
activities throughout the Pacific region and to use the context of San Jose
and Silicon Valley as a catalyst for the building of interpretive bridges and
new transaction spaces.
Q. Some might say that the term or theme “Pacific Rim”
is inherently problematic, do you agree?
A. Yes. Pacific Rim is really a reference to the political and economic
space that includes many distinct countries, regions, socioeconomic frameworks,
and political identities. It is not a singularity in terms of a cultural space
of interactions. It is however a term that begs a tremendous number of questions
in terms of post-colonial assessments and characterizations. The term was selected
because it provides a platform from which the rich complexity and dynamic realities
of inter- regional relations can be discussed and debated. An important objective
of the Summit is to examine and create new transaction spaces for creativity
and innovation.
Q. What are you most looking forward to about the Pacific Rim New Media
Summit?
A. Meeting everyone and seeing what can happen when we try to focus
on outcomes.
The Pacific Rim New Media Summit takes place August 6-8, 2006.
http://isea2006.sjsu.edu/prnms.html
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The Pacific Rim New Media Summit |
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The CADRE Laboratory for New Media at San Jose State University will host a two-day pre-symposium to ISEA 2006 entitled the Pacific Rim New Media Summit co-sponsored by Leonardo. The Summit is intended to explore and build interpretive bridges between institutional, corporate, social and cultural enterprises with an emphasis on the emergence of new media arts programs.
The complex relations and diversity of Pacific Rim nations is exemplified throughout the hybridized communities that comprise the Silicon Valley. As the 10th largest city in the United States, San Jose is an important portal on the Eastern edge of the Pacific region, which shares deep historical and cultural connections that range from Latin America, the South Pacific, Southeast Asia to Asia. ZeroOne San Jose: An International Festival of Art on the Edge highlights the Pacific Rim as a central theme by presenting the most significant achievements in art, theory and research from throughout the region.
An important objective of the Summit is to examine and create new transaction spaces for creativity and innovation. With a purview encompassing all states and nations that border the Pacific Ocean, this trans-disciplinary event will address the developmental role and capacity of new media arts initiatives to foster greater mutual understanding. Summit objectives include exploration of innovative models for cooperation among institutions, development of interaction strategies with technology corporations, investigation of radical responses to emergent cultural issues and conditions, engagement with Diaspora communities, and the establishment of an on-going Pacific Rim Network of New Media Educational Institutions.
The Pacific Rim New Media Summit has divided itself into eight working groups. Each group is preparing specific concerns and motives for investigation and will come to the summit with objectives and outcomes to present. The working groups include: Distributed Curatorial, Education, Place Ground & Practice, Urbanity & Locative Media, Latin American-Pacific / Asia New Media Initiatives, Residencies/ Symposia/ Directory Project, Piracy & the Pacific, and The Indivisible Dynamics of the Pacific Rim & Bay Area. Participants of the Pacific Rim New Media Summit will report their activities and conclusions at the ZeroOne/ ISEA 2006 Symposium as they are interwoven with the other themes of the overall symposium.
Why the “Pacific Rim”? And other questions answered by
ISEA 2006/ ZeroOne Festival Chair, Joel Slayton.
The Pacific Rim New Media Summit takes place August 6-8, 2006. http://isea2006.sjsu.edu/prnms.html
The ZeroOne/ ISEA 2006 Symposia takes place August 9-13, 2006 in San Jose, California. http://isea2006.sjsu.edu/
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Vera Fainshtein is a contemporary Californian artist who incorporates digital video, sound and theatrical stage-like sets to produce environments that purposely blur the boundary between art and life. Her work is a good example of “lifelike” art, i.e. art that is connected to life and is at the service of life. Her installations are preoccupied with and even dazzled by the space of the everyday existence. Her materials are common objects: old wallpaper, a rotary phone, taste of red wine, an arm holding an umbrella, sounds of rain... Encouraging the viewers to use their senses, the artist’s ambition is to recreate a feeling of lived, felt space, a sensuous space, subjectively and bodily perceived.
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