Issue 28 11.20.13
Grains to Gigs – Moving Image Artistry
HALFLIFERS
2012 Questions for HALFLIFERS by George Pfau As a collaborative team of two, how did the HalfLifers merge their notions of the zombie into a singular package? HalfLifers as a project has always emerged out of a space of shared interests and dialogue…we’d always both had an interest in the idea of the zombie (based […]
Interview with Helen Homan Wu
Co-Curator of Navigating Darkness at the Tape, Berlin and founder of Opalnest multimedia production agency By Kristin Trethewey Located in an old warehouse near the Hamburger Bahnof, The Tape, functions as a venue for music and art exhibition in Berlin. Most recently the one-night show, Navigating Darkness curated by Helen Homan Wu and Mira O’Brien […]
themusicofthefutureisntmusic
Henry Gwiazda In the early days of modernism, the futurist manifesto “The Art of Noises” was a provoking and seemingly outlandish proposition, more agitprop than reality. At the time, there was really no practical way for Russolo or others to realize the ambitions of the text. In the decades that followed, many composers and artists, […]
No Limitations : Tania Mouraud
by Nichole Weirich Tania Mouraud has been creating art since the 1960’s. Her work has ventured through multiple mediums over the years. These different mediums are relevant to the times upon she chose to create. Once upon a time she burned her old paintings and called it Autodafe, created novel installations with electronics and sound, […]
Body and Imagination: The Work of Nik Hanselmann
by Dorothy Santos “I am a big believer that work should perform and be as it is — that whatever phenomena you are trying to describe be embedded in the work itself. But I also think that the somewhat anachronistic attributes of past media have a significant weight on how work can be put into […]